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For writers, poets and zine-makers

Chapbooks, zines, and the next chapter

Sell the physical thing you made on a kitchen table, serialise the next one to patrons who pay monthly, and find the illustrator, the designer and the person who will read it before anybody else does.

A writer at a kitchen table with a typewriter and a stack of stapled zines, a mug, morning light

The small press problem

You made ninety of something and now you are a postal service

Small print runs are sold by writers who did not want to spend their Saturday weighing envelopes, taking payments through three different apps and forgetting who has been sent what.

A storefront handles the money and the order list. You handle the envelopes, which is the only part of it that was ever any fun. And the digital version delivers itself.

How a storefront works

A shelf of numbered prints beside a stamp, an ink pad and flat mailers

The money

Four ways writing pays here

Print

Chapbooks, zines, pamphlets, risograph runs, the numbered edition with the good cover. Your postage, your terms.

Digital

PDFs and ebooks delivered by an expiring link, replaced for every buyer whenever you fix the typo on page nine.

Serialised for patrons

A chapter a month, the notes, the version you cut. The oldest way of funding a book, with the billing done for you.

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Readings, recorded

Put a reading out as a release and it streams to anyone — and a podcast or a broadcaster can license it at the price you set.

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The club

The people a book needs

  1. An illustrator who wants to do this

    Post the call. Say the format, the number of pieces, the money if there is money, and the date.
  2. A designer and a printer

    Members who set type properly and know which risograph will take your paper. Some of them will swap for words.
  3. A reading, with actual chairs

    Small, in a studio, to eleven people who will buy the thing afterwards because they were in the room.
  4. Somebody who has published one

    Six months of a mentor for the parts nobody explains — rights, contracts, what an advance actually means.
Forty-two people pay me six dollars a month for a chapter and the notes. It is not a book deal. It is the first time writing has paid anything on a schedule, and the illustrator came from a card on a board.
A poet in Savannah three chapbooks, one serialised novel

Questions about writers

Can I serialise something unfinished?
That is what most writers here do. Patrons pay monthly for the chapter and the notes, and the finished thing goes on the storefront later.
Do you print or distribute for me?
No. You print, you post, on your stated terms. Digital orders deliver themselves.
Who owns the writing?
You do, entirely. No exclusivity, no term, and nothing is used to train anything.
Can I pay an illustrator through Phyrne?
Buy it from their storefront as a commission, so both of you have the terms and the payment recorded. Or agree a swap, in writing, if neither of you has cash.

Sell the ninety you made, then serialise the next one

The storefront handles the money. The club has the illustrator you have been meaning to ask.