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Swaps

Trade work for work

A logo for a ceramic set. A mix for a music video. A day of assisting for a day of assisting. Both sides write down what they are giving and when, both sides agree, and only then does anything ship.

Two people exchanging things across a workbench, a wrapped ceramic bowl going one way and a rolled poster the other

Why they go wrong elsewhere

The problem with a favour is that nobody wrote it down

Everyone who has swapped work has the same story. It was going to be a quick logo. It became four rounds and a website, against a set of bowls that turned up eventually, and now two people avoid each other at openings.

A swap here is a small written agreement. Each side writes its own half in its own words — the thing, the scope, the number of revisions, the date. Neither side can mark anything delivered until both have agreed to both halves, and both read the same page.

A sheet of heavy paper with an oxblood wax seal, signed in ink

How a swap is agreed

Four steps, and nothing ships before step three

  1. One side proposes

    What you will give, and — if you know — what you would like back, the scope and the date. It goes to one member, from their page, not to a board.
  2. The other side writes their half, or says no

    They write or rewrite what they will give, or decline with one press. Rewriting either half clears both agreements, because the pair is now different words.
  3. Both agree, and it holds

    When the second agreement lands, the swap is agreed. From then on neither half can be rewritten, by either of you.
  4. You each mark yours delivered

    The swap is complete when both halves are marked delivered. Until then it stays open on the list of whoever still owes theirs.

What gets swapped

Things people trade that never make it onto an invoice

Design for objects

An identity, a poster or a label, against a set of plates, a chair or a print run.

Sound for pictures

A score or a mix, against a video, a set of portraits or a poster.

Documentation

Proper photographs of somebody's work, against a piece of the work.

Space and machines

Press time, kiln space, a spare room during a fair, against hours of help.

Hands for hands

A day of assisting for a day of assisting. Two makers, two installs, no money.

Teaching

An afternoon of showing somebody how, against an afternoon of being shown.

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Money

A swap has no money in it, and we take nothing from one

Phyrne's 8% is a cut of money that moves. No money moves in a swap, so there is no cut, no fee and no reason for us to be involved beyond keeping the agreed words somewhere neither of you can quietly change them.

If you want money in it, that is a commission — put it on your storefront and take the payment properly, with the protection that comes with it.

Sell it instead

A shop corner with numbered prints, a stamp and flat mailers
I traded a set of six tumblers for photographs of my whole studio. Both of us would have quoted the other out of the room, and both of us got exactly what we needed. The written half is why it did not drift.
A ceramicist in Savannah tumblers for photographs

Questions about swaps

What if somebody does not deliver their half?
The swap stays open, waiting on them, and you can tell us. Taking somebody's work and not sending yours is a conduct matter, and a person reads every report. Either of you can cancel a swap that is not going to happen.
Can a swap be part money, part work?
Keep them apart. Do the paid part as an order on a storefront and the traded part as a swap. Mixing the two is how both halves get vague.
Does Phyrne take a cut?
No. Nothing moves, so nothing is taken.
Who owns what afterwards?
Whatever the two of you wrote down. Put a sentence about use and credit into your half before either of you agrees; it is the line people most regret leaving out.

Propose one, in writing, this week

The written half takes five minutes and saves the friendship. Both sides agree before anything ships.